Rating: 3/5
Featuring: Prithviraj Sukumaran, Amala Paul, Jimmy Jean-Louis, KR Gokul
Directed by: Blessy
Produced by: Blessy, Jimmy Jean-Louis, Steven Adams
Music by: A. R. Rahman
Cinematography by: Sunil K. S
Edited by: A. Sreekar Prasad
Prithviraj Sukumaran’s long-awaited extension, “The Goat Life,” at last graces the screens nowadays. Coordinated by Blessy and based on the top-rated Malayalam novel Aadujeevitham, the film is displayed to the Telugu group of onlookers by Mythri Motion Picture Producers. Let’s dive into the motion picture and see what it has to offer.
Plot:
Najeeb (Prithviraj Sukumaran) arrives in Saudi Arabia with his companion Hakeem (KR Gokul), unaware of the dialect obstruction. Abused by their support Khafeel (Talib Al Balushi), Najeeb finds himself confined, working as a goatherd in the forsake. As he battles to survive and rejoin Hakeem, Najeeb’s travel unfurls amid the unforgiving forsaken landscape.
Positive Points:
Prithviraj Sukumaran’s commitment to assorted parts sparkles through in “The Goat Life.” His depiction of Najeeb is ardent and compelling, capturing the character’s edginess with genuineness. The film’s visuals and foundation score successfully submerge watchers in the forsaken setting.
The sandstorm arrangement is especially impactful, including pressure on the story. Supporting performing artists like Jimmy Jean-Louis and KR Gokul conveys commendable exhibitions, upgrading the film’s general appeal.
Negative Points:
While Prithviraj’s execution is a highlight, the film needs a standard offer and may baffle those looking for commercial excitement. The moderate pacing, particularly in the to begin with half, tests the audience’s tolerance, and the need for cinematic components may prevent a few viewers.
Director Blessy’s fastidious approach comes about in a point-by-point story, but the long runtime and moderate movement may ruin engagement. Also, the film’s center on Najeeb’s predicament dismisses other potential storylines, such as the effect on his family.
Technical Aspects:
AR Rahman’s foundation score complements the account, improving passionate minutes. Sunil K.S.’s cinematography viably captures Najeeb’s battles, whereas altering might have fixed the pacing, especially in the beginning with half.
Verdict:
“The Goat Life” offers an earnest depiction of a real-life survival story, but its moderate pace and need of commercial offer may restrain its gathering of people. Prithviraj Sukumaran conveys a standout execution, but the film’s length and pacing may hinder a few watchers. By and large, it’s worth an observation for those interested in art-house cinema.